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TC國語
金城武,劉青雲,梁家輝,古天樂,高圓圓,杜德偉,鮑起靜,林俊賢,盧冠廷,姜珮瑤,衛詩雅,甘國亮,盧海鵬,劉永,吳嘉龍,李元霸,任賢齊,夏韶聲,王德順,程東,狼森,尼克·福特
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HD中字
丹佐·華盛頓,傑弗裏·懷特,伊芬什·哈德拉,拉基姆·梅爾斯,Kevin D. Benton,José Báez,伊芙·喬治,霍爾登·古德曼,奧布里·約瑟夫,Manny Joseph,拉·尚茲,Nichia Morales,邁克爾·波茨,April A. Reeves,Jeremy Sample,埃絲·史佩斯,約翰·道格拉斯·湯普森,Andy McQueen,Reinaldo Troya,Jordan S. Walker
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HD中字
申銀秀,孔明,車宇民
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正片
卡萊伯·蘭德里·瓊斯,哈利·米爾林,弗蘭克·迪蘭,羅西·麥克尤恩,阿琳澤·科納,泰利莎·特謝拉,史蒂芬·麥克米倫,格蕾絲·賈巴里,艾瑪·欣德爾,Mitchell Robertson
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瑪德琳·克萊因,喬什·盧卡斯,K·J·阿帕,索菲亞·懷利,麥迪森·湯普森,奧蘭多·諾曼,Marilyn Cutts,J·R·埃斯波西託,Giuseppe Schillaci,Karl-el Santos,Diego Ross,Eva García Montiel,Jorge Osório
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莉奧妮·貝尼希,桑婭·裏森,阿利雷扎·貝拉姆,塞爾瑪·賈瑪·阿爾丁,瑪格麗塔·肖赫,烏爾斯·拜勒,阿爾巴納·阿嘉,裏德萬·穆拉蒂,烏班·圭古埃穆德,伊麗莎白·羅爾,海因茨·韋思林,桃樂絲·舍弗,朱格·普拉斯,伊娃·弗雷德霍姆,歐努爾·克圖穆斯,阿里·坎達斯,穆斯塔法·庫祖克,妮可·巴赫曼,奧利弗·巴爾,索菲·巴爾
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HD國語|粵語
成龍,張子楓,梁家輝,此沙,文俊輝,周政傑,王紫逸,郎月婷,林秋楠,王振威,李哲坤
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HD中字
鈴木亮平,有村架純,鈴鹿央士,初夏,酒向芳,六角精兒,木村綠子,オール阪神,オール巨人
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HD
金賢秀,金容智,金秦禹
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HD國語
劉昊然,王傳君,高葉,王驍,周遊,楊恩又,原島大地,王真兒,楊皓宇
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HD國語
任達華,麥亨利,克拉拉,錢嘉樂,袁富華,黃德斌,於柏林,呂晨悅,孫毓晗,羅浩銘,胡汀洋,連凱
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HD中字
劉亞仁,李在仁,安宰弘,羅美蘭,金熙元,吳正世,樸珍榮
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HD中字
米洛斯·比柯維奇,格列布·卡柳日尼,葉蓮娜·波德卡明斯卡婭,鄭涵一,戈沙·庫岑科,雅羅斯拉夫·莫吉爾尼科夫,伊琳娜·阿爾法羅瓦,德米特里·庫利奇科夫,黃灝楠,扎加爾·巴德馬齊列諾夫,肖恩·科恩克,阿麗娜·阿列克謝娃,葉甫根尼·希迪金,斯韋特拉娜·丘伊金娜,康斯坦丁·切普林,楊子驊,康斯坦丁·米洛瓦諾夫,薩維爾·穆日克揚
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朱麗安·摩爾,西德尼·斯維尼,凱爾·麥克拉克倫,多姆納爾·格里森,費奧納·肖,瑞貝卡·克雷斯科夫,威爾·菲茨,艾德蒙·多諾文,奧黛麗·格蕾絲·馬歇爾,Jared Canfield,Merritt Janson,盧西亞娜·凡德特,布萊恩·伯頓,基莎巴爾,Katya Campbell,Taylor Nicole Kaplan,艾文·坎保,Stella Chivee,Max Ryan Burach,Whidbey
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邁克爾·B·喬丹,海莉·斯坦菲爾德,傑克·奧康奈爾,烏米·馬薩庫,傑米·勞森,奧瑪·本森·米勒,德爾羅伊·林多,羅拉·科克,李麗君,迪內·泰勒,克里斯蒂安·羅賓森,西奧多斯·克萊恩,格拉倫·布萊恩特·班克斯,法比奧菈·蕾諾,彭祖耀,拉塞爾·吉布斯,賈昆·門羅-亨德森,埃蒙妮·艾莉森,Ricardo Vargas,Peter Dreimanis
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.
Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.
The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.
In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.
On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.
Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.
The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.